Tag Archives: history

Racing to a better future

By Mark Marchand

(Cover photo: The author, running a cross-country race in fall 1972 at Chicopee Comprehensive High School in Massachusetts.)

As I turned our car right to leave Stanley Park in Westfield, Massachusetts, recently, that most precious type of memory sprang to mind. The memory hadn’t surfaced for nearly half a century, and it burst forth so suddenly and dramatically I momentarily forgot I was driving a car. I was lost in a vivid recollection of an epic road race I ran in that very park back in 1972. What mattered wasn’t the race itself or the outcome. Instead, it was the decision, for the first time in my 17 years, to drop the indifference of adolescence, look beyond the challenges of family life, push myself despite seemingly insurmountable odds … and prevail.

My wife, Elisa, and I were in Westfield for a Saturday afternoon lunch and visit with our oldest son Dan and partner Annie. Separated by pandemic restrictions, we hadn’t seen each other for seven months. We chose Westfield since it was located halfway between our homes. The visit was long overdue, and it was a joyous one. We ate lunch in the outside dining area of a downtown Westfield pub before heading to Stanley Park to stroll through the woods. We caught up on each other’s lives for over four hours before heading back to our cars. Then, Elisa and I headed west back to the Saratoga, New York, region. Dan and Annie drove east back to Boston.

I backed our car out of a parking space and headed toward the park exit, where I turned onto Western Avenue to work our way back to the Massachusetts Turnpike. I gazed at the campus of Westfield State University to our left, casually glanced back at the park on our right, and for a few moments I was no longer in the car. I’d gone back in time to 48 years ago.

The scene was exactly the same: rows of trees on both sides of the asphalt sidewalk. equally spaced on short-cropped grass. A low wall of slate tiles. An afternoon sun casting shadows from the utility poles and lines across the street. I returned to the present after a few minutes, but I thought about that day all the way home. And for days and weeks afterward.

(From the same race as the cover photo. I’m the last runner with the white jersey.

***

I was a junior at Chicopee Comprehensive High School. I was a rail-thin, shy, introverted kid who was more concerned with deciphering the meaning of “2001: A Space Odyssey” than with making friends or earning good grades. A group of classmates convinced me to try out for the cross-country team to help get me away from science fiction books and pave the way for actual friendships. My family opposed the idea, but after a long battle over the summer my parents granted tentative approval for me to try out. I think they thought I wouldn’t make it. With some coaching from a few classmates who were long-distance runners I trained over the summer. I found that my thin frame was well-suited to the standard 3-mile races run in interscholastic cross-country in Massachusetts. I made the seven-man varsity squad. The last student to qualify, I was given a team jersey and shorts and proudly wore them home.

As the fall season unfolded in 1972, we were a high-flying squad. We easily won most of our meets. Our team was a mix of personalities, and amazing long-distance runners. There was the friendly, white-haired Jimmy Ashe, who lived with his family next door to our high school. He was our top runner. He was also a mentor of sorts to me. When I struggled to improve my times, Jimmy would talk to me in the locker room, smile, and say he was convinced I could keep up with the other varsity runners. There were the two Dillon brothers who, like me, had lived in various places around the world because their father was in the Air Force. Both were fast. One, Dan, went on to a successful collegiate career and competed in marathons. His brother John, bigger and quicker to smile, was a little less serious but a very talented athlete. The Dillons and I ran together a lot over the summer as we prepared for the 1972 fall season. I have long since forgotten my other three teamates. I just remember I was always the last guy on our team to cross the finish line. Sometimes I beat one or two runners on the opposing team’s seven-man squad. Other times I’d huff and puff and finish fourteenth. Still I loved the sport and began reading tales like “The Loneliness of the Long-Distance Runner.” That 1959 short story dealt with a young man who escaped his terrible life by running. My life wasn’t that terrible, but I identified with the writer.

As our yellow school bus pulled into the parking lot of Stanley Park for our race against Westfield High School that October weekday, we knew we had another win in the bag. Westfield was having a tough season, and most of their runners turned in times that didn’t come close to ours. As we limbered up next to the starting point, our coach, Alex Vyce, told us not to take anything for granted. He wanted fast times to prepare for regional and state tourneys later that fall.

Aerial view of Stanley Park
One of the trails in Stanley Park

Our seven lined up with Westfield’s seven competitors at the starting line. An official raised a gun, called “set,” and fired, dispatching 14 high school athletes onto a 3-mile race through the woods and back along Western Avenue before a final right turn into the park and the finish line.

My teammates quickly dashed into the lead. I tried to keep up. Within a half-mile, all of us were well ahead of the opposition. Soon, I lost track of my faster teammates but I remained in front of Westfield’s runners. I settled in at my usual pace of about 17 minutes for 3 miles. I began thinking that we might accomplish the cross-country team’s version of a complete shutout: all our runners finishing before everyone on the other team. It was a rare feat. I knew if I let someone on the other team finish before me, I’d be in for a good deal of razzing from my teammates on the way home.

About 2.5 miles into the race, just after leaving the woods and turning onto the Western Avenue sidewalk for the homestretch, I started to ease up. No sense wasting more energy than I needed to, I thought. I passed houses to my right before approaching the final stretch. My confidence soared.

That’s when IT happened. For months and well into college I’d remember those next few moments as a pivotal point in my life. Out of the corner of my left eye I spotted a bouncing shadow keeping pace with me. It could only mean one thing: The late-afternoon sun was alerting me that Westfield’s top runner was closing in. Fast. A few seconds later I could hear his heavy breathing and the “clop-clop” of his running shoes hitting the sidewalk. The size of his shadow grew. I had reserves left so I sped up and turned my gaze straight ahead. I checked back for the shadow a few seconds later. It was larger! His breathing was louder. I could hear the swish of his shorts against his legs. A wave of fear swept through me. I couldn’t let the Westfield runner pass me. I summoned more reserves and ran faster. Ahead, about a quarter mile away, I could see our final turn to the finish line.

My opponent fell back a little, and I began to feel better. Seconds later my hopes were dashed as he closed in on me again. I had no reserves left. It seemed like he was so close his shadow was blending with mine. He started to pass me. I leaned forward and struggled to stay in front. My breathing was labored. I was thirsty. Sweat poured into my eyes, making them sting. His shadow fell back a little. Seconds later he was right back with me. I began to panic. I pumped my arms in a desperate effort to stimulate the rest of my body, especially my legs. They began to suffer under the stress, and my muscles cramped.

The scene kept repeating itself for what felt like 10 minutes. This drama probably took only about one, maybe two minutes.

Assessing my physical state, I checked back for the shadow one last time. It was still there. The situation felt hopeless. I was making giant, hoarse noises when I inhaled. I had no physical energy left. I now doubted I could even finish the last eighth of a mile. Then came the turning point. I began arguing with myself. The contest became a mental one. I had absolutely nothing to lose by scratching, clawing for any ounce of energy I could find, even if it meant tearing muscles, ligaments, or tendons. I would happily accept a ride in the ambulance to nearby Noble Hospital and months of recovery rather than giving up. To this day I don’t know how I did it, but it was the first time in my life that I reached deep into my body to summon adrenalin. I pleaded with my heart, my muscles, my bones for something … anything that could keep me ahead of Westfield’s lead runner. I experienced something I had never felt. My entire body began to tingle. Waves of renewed energy swept into my legs and my lungs. I realized I had been hunching over. I now ran erect and sprinted forward as though my life depended on it. I risked one more glance left. The shadow was growing smaller. I was pulling ahead.

My exhaustion evaporated, I felt like I could run 10 more miles. I made the last right turn into Stanley Park. My teammates and coach were screaming. They had given up hope for a shutout until they saw me. I didn’t know it then but the reason I didn’t see the other runner’s shadow any more was because we had changed directions. I could no longer see the shadow of anything behind me. That runner, my team yelled, was closing in on me. I gave it my all and made one last sprint, crossing the finish line 2 seconds before him. I tried to shout but had no wind. My teammates were clapping me on the back. I fell to the ground and tried to catch my breath.

The other Westfield runners began crossing the finish line a few minutes later. I stood back up and walked over to my opponent. He was bent over, breathing hard. I reached out with my right hand. He looked up at me. We shook hands. I mumbled something like, “Nice race.” He said nothing. I never even got his name. He walked back toward his team, slowly.

I don’t remember much else about the day. I was quiet on the bus ride back to Chicopee. When someone asked how I felt I said something stupid like, “I guess I proved I’m better than all the runners in Westfield.” Some teammates laughed. They said that might be true for high school, but there was a bevy of runners at nearby Westfield State College and elsewhere in that city who’d leave me in their dust. I nodded agreement and went back to being quiet.

It took a few more weeks for me to digest what happened that day. Our team celebrated the rare clean sweep. I began to reflect on what the race meant, and it had nothing to do with running. For the first time in my life I had proactively decided against giving up when faced with adversity. I thought of a physics principle I had learned in a science class that year: Electricity and water generally take the path of least resistance. Until that day in Westfield that path had been my choice when faced with a challenge, whether it was a difficult exam or my desire to talk to a cute girl. I’d settle for a 70 on a test rather than invest hours poring over a textbook or the few notes I took in class. I’d walk by the girl in the hallway, saying nothing. Whatever the easier road, I took it.

But the Westfield race changed things forever. It represented that most precious of personal assets: I had proved to myself I could overcome an obstacle, without someone else showing me the way. I would no longer have to accept the status quo. I had a template to draw on in the coming years. I would use it over and over as I struggled to get into college and earn a degree. I would use it at the dawn of my professional life first as a newspaper reporter and then as a mid- to upper-level manager in a large corporation. The memory of the race itself faded rather quickly but its lesson never left me.

***

The sun was slipping below the hills ahead of us as Elisa and I sped along the Massachusetts Turnpike west into the Berkshires on the way home. I continued to replay the race in my head. I decided I needed to write it down.

As we neared home, I was left with one question that may remain unanswered: What happened to the runner who pressed me so hard that day? He probably never knew he pushed me beyond my physical and emotional limits and changed my life forever. I’d like to thank him.

###

Fort Myers, Florida: More Than Just a Home for MLB Spring Training

By Mark Marchand

(Cover photo: Thomas Edison’s winter home in Fort Myers. Credit: author)

For years, I’ve been visiting Fort Meyers, Florida and the surrounding area in March, spending time watching my Boston Red Sox get ready for another campaign up north. This Southwest Florida city and the surrounding area is a terrific destination for a late-winter recreational sojourn. And it’s filled with with attractions that go well beyond the spring training homes of the Red Sox and Minnesota Twins. From nature/wildlife preserves to historical sites, there’s more than enough here to satisfy even those visitors who aren’t fans of America’s pastime. And of course there are plenty of beaches.

I recently wrote about the area for a new online travel publication called The Commoner Magazine. They posted my article at the link below. If you’re interested in potential future places to visit for vacations or road trips, make sure to bookmark the homepage for the site. They are constantly publishing great new stories on travel. Happy trails.

As always, feel free to leave comments or ask questions. I can be reached at markmarchand56@gmail.com

https://www.thecommonermagazine.com/a-baseball-fans-guide-to-fort-myers/

 

 

Viewing 20th Century America Through Norman Rockwell’s Eyes

(Cover photo credit: Norman Rockwell Museum)

By Mark Marchand

Before he passed away in 1978, famed illustrator Norman Rockwell offered the “secret” behind how he crafted his amazing paintings: “I love to tell stories in pictures,” he explains in a biographical video at the Norman Rockwell Museum in Stockbridge, Mass. He adds that what he was trying to do wasn’t “fine art.” His legions of fans would probably disagree.

“The story is the first thing and the last thing,” he concludes.

A visitor to the wonderful museum dedicated to Rockwell’s life and work doesn’t really need to hear those words. Each of the paintings and drawings displayed at the museum in the Berkshire Mountains depicts a story told via raised eyebrows, dramatic facial expressions, body posture, minutely portrayed details, and myriad other cues that lead viewers to where the New -York-City-born illustrator wanted them to go. From an anxious young couple applying for a marriage license with a time-pressed public official to African-American children meeting their new white neighbors for the first time,  the visitor can unravel  a story that might take hundreds or thousands of words to explain. Rockwell was that good.

Since the museum moved from its original, cramped location in downtown Stockbridge to its expansive, more rural location a few miles away in 1993, it has opened the eyes of over 100,000 visitors annually from here and abroad. The story of 20th century America is told there through the eyes and paint brush of the lanky artist. Stockbridge was a natural location for the museum since the artist and his family lived there from 1953 until his death, Before that, Rockwell lived in nearby Arlington, Vermont.

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The Norman Rockwell Museum in Stockbridge, Mass. (Photo credit: Norman Rockwell Museum)

Today, the museum regularly displays about 1,000 Rockwell illustrations, and houses over 100,000 items—including letters,  photographs, fan mail, and business documents— in its archives. Perhaps the most popular collection on display is the 323 covers Rockwell painted for the Saturday Evening Post. Nearby on the property sits Rockwell’s actual painting studio, but it’s only open in warmer months.

Many of Rockwell’s more significant works are displayed in large rooms, each painted in different color themes, which seem to bring out specific features of each painting. If they take the time, visitors can stand relatively close to some of the illustrator’s works and—depending on the angle of their head and light from the ceiling—see evidence of the actual brush strokes. On the day I visited in January 2019, I spent some 20 minutes examining hardly visible, small ridges of oil paint in a painting Rockwell did for a raisin ad. It was a magnificent piece of work.

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An example of one of the rooms in the museum, with a blue color theme

While Rockwell did some commercial work to help clients sell products, most of his work for magazine covers and other projects reflected his meticulous desire to portray real life scenes that tell a story. As a fan of the creative process ranging from music to books to art, I was amazed by the weeks, months and often years Rockwell invested in light/color studies, model selection, and other research before he put brush to canvas. Most people who work at the museum readily explain that Rockwell was rarely satisfied with his finished projects. He would often throw away a painting he had worked on for months and start all over.

One example is also one of my favorites: “The Gossip.” In the 1948 painting, Rockwell depicts the faces of 15 people in five horizontal rows, often in hilarious poses as they pass along a juicy tidbit of gossip. The exchange of information continues until it finally reaches the subject of the gossip near the end. The last verbal exchange involves the gossip target confronting the lady who started the nasty trail. Since Rockwell gave his paintings a lot of thought well beyond the visual components, he worried that any model he used to portray the object of gossip might be offended. So he used himself as the target. His wife at the time, Mary, also appears. The woman who served as the model for the gossip originator was so upset, according to museum guide Judy,  that when she saw the final product, she didn’t speak to Rockwell for eight months.

The story of this amusing illustration also reveals some of the process Rockwell used to achieve his goal. Adjacent to the finished painting, the museum displays a preliminary charcoal drawing and photograph of the models used by Rockwell.

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The final version of “The Gossip” painting

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A preliminary charcoal drawing Rockwell drew as he worked on “The Gossip”

 

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Another step in Rockwell’s process: a photo montage of the models used for “The Gossip”

In addition to depicting the simple life around him, Rockwell often drew inspiration from major events of the day. He was so inspired by President Franklin Delano Roosevelt’s famous 1941 speech involving the “Four Freedoms” that Rockwell spent two years painting four masterpieces that bring those four freedoms to life: Freedom of Speech, Freedom From Want, Freedom of Worship, and Freedom From Fear. They can be viewed here.

The four pieces were so popular they were used in efforts around to country to sell War Bonds during World War II. Today, they continue to serve as iconic yet simple reminders of the values at the core of American life. Curious about connections between Rockwell and FDR during the process of painting, I asked museum Curator of Education Thomas Daly if the two had communicated or if FDR had given Rockwell direction. The answer, Daly said after he gave a presentation on the topic to me and other visitors, was probably not! Rockwell simply latched onto the idea from the speech and ran with it. “To the best of our knowledge, FDR and Rockwell only met once,” Daly said.

***

The Rockwell Museum is located at 9 Glendale Road in Stockbridge, Mass. It’s open daily from 10 a.m. until 4 p.m. and an hour longer during the warmer months. Visitors planning the trip should check the website for special presentations, events, and displays: https://www.nrm.org/. Admission is $20 for adults, $18 for veterans, and $17 for seniors 65 and over. There’s no charge for visitors 18 and under, and college students pay $10. Those who sign up and pay for membership receive free admission and other benefits.

 

Driving U.S. Route 1 from northern Maine to Key West; a new book

During the summer of 2014, I embarked on a solo drive that had roots stretching all the way back to epic road trips with my family as we followed my Air Force father on assignments here and abroad. In late-June 2014, I set out from my home in upstate New York to drive the entire length of U.S. Route 1 from remote, forested northern Maine to artsy, bucolic Key West. As it snakes along the East Coast for over 2,400 miles, this famous — but somewhat ignored — highway winds through some of our nation’s most complex, congested cities before passing through the wide-open expanses of the Carolinas and down into Florida.

Along the way, the super-fast I-95 beckoned me with its lure of no traffic lights and three lanes. But I ignored its siren call.

It was an eye-opening experience. From the fascinating people I met to the sites I visited, I was left with an indelible image of what used to be known as the New World to Europeans and others who first began landing here centuries ago. From the crafty ticket scalper at the Baltimore Orioles’ Camden Yards ballpark to the Baptist minister in Aiken County South Carolina, the people I met along the way were the America I sought to see through the lens of this over 80-year-old road.

 

 

At the beginning of the trip, in Fort Kent, Maine, and at the end, visiting Ernest Hemingway’s Key West home.

When I finally returned home, I found myself with dozens of pages of notes, many recorded interviews, and hundreds of photos. I had no other choice but to sit down and write a book about the experience. That book is now available, as an ebook and paperback, on Amazon.com. If you click on the graphic below, it’ll take you to the book site on Amazon.

A major shout out to my sister-in-law Deanna Gallaro for the fantastic cover she designed for my book.

So please, come along on this ride with me….You won’t be disappointed.

 

America’s Ballparks: Living Time Capsules

They Built Them; I Came

By Mark Marchand

Major league baseball stadiums are like time capsules — living time capsules that preserve the game Americans have loved since the mid 19th century.

Within stadium walls, dazzling plays come to pass, the sometimes plodding nine-inning script proceeds without time constraints, fans cheer, fans boo, beer and peanuts are consumed, one team wins, and one loses. All of this and more occurs without any thought to the world outside. Time capsules, after all, maintain things as they are for future generations to see.  And with some exceptions, spectators today witness the same pitches, the same hits, and the same fielding plays that took place since baseball’s birth two centuries ago.

Out there, meanwhile, wars continue, traffic creeps by, people live and die, jets soar overhead, money is made and lost, and the struggle of life carries on.

The fan who nestles into his or her ballpark seat for about three hours expects to be transported into the more magical, timeless world that author W.P. Kinsella painted for us. Kinsella, who passed away late last year, wrote the book Shoeless Joe, upon which the popular movie Field of Dreams was based. He had a knack for capturing the essence of this simple game, the arenas in which it’s played,  and the game’s  relevance to our lives. His tale of creating a lush, green ball field out of an Iowa cornfield brings to life the feelings many baseball fans harbor for their beloved diamonds and the enclosures in which the game is witnessed. There might be economic turmoil and a cruel world out there in Iowa. But cross the foul line, in Kinsella’s case, and you’re protected as a warm sense of the contest and sentinel-like lights surround you. Perhaps, as he writes, memories of old games and long-lost relatives will arise, and maybe even the ghost of a famous player will wander in from the outfield.

Image result for iowa cornfield baseball fieldThe Iowa cornfield/baseball field from “Field of Dreams

These ballparks come in all shapes and sizes. We watch our games in venues ranging from the cramped wooden or plastic seats in Fenway Park in Boston, to cushy, spacious seats in newer stadiums like PNC in Pittsburgh. Thankfully, many of the newer parks have been built as part of professional baseball’s “retro” phase, during which the design of many new parks harkens back to the shapes and feel of mid-20th century venues.

Almost without exception, major league ballparks remain in the downtown areas of cities. The 1970s-80s trend to move some sports venues out of congested cityscapes to the wide-open suburbs is just wrong. If you’re the Cubs, you play in the city of Chicago. Don’t use the city in your team’s name and abandon it for shopping mall-laden suburban America.

Since seeing my first major league contest in 1968 at Fenway, I have maintained a steady love of the game. I have expanded my fandom to include studying and, eventually, visiting as many ballparks as I can. Armed with a private pilot’s license and a career that had me traveling to cities around the nation (if my former boss is reading this, hey you didn’t expect me to just sit in my hotel at night?) I have so far visited 18 of 30 ballparks. Of those 18, only 16 remain active. Olympic Stadium in Montreal is no longer used by the Expos. They’re now in Washington, D.C. and are known as The Nationals. The Seattle Kingdome was imploded in 2000 to make room for a new football stadium. The Mariners of baseball moved to new Safeco Field up the road.

Here are some observations and reflections on the ballparks I have visited:

Fenway Park (Boston, Red Sox) — Five words come to mind when I think of Fenway, where I’ve co-owned weekend season tickets since 1988: asymmetrical, green, historic, cramped, and beautiful. If famed sports broadcaster Keith Jackson were crafting this piece with me, he’d describe Fenway with his Rose Bowl phrase: “the grand daddy of ’em all.” Fenway Park in the Back Bay neighborhood of Boston is, after all, the oldest baseball park in the nation. It’s also the smallest. Fenway opened in 1912, the same week the Titanic sunk in the North Atlantic. Some might say that timing portended the decades of tragedy and failure for which the Red Sox were known. Maybe so, but the Red Sox finally won a World Series title in 2004, ending an 86-year drought.

Fenway was designed to fit into a dense residential-commercial setting, which led to its odd layout. Left field is hemmed in by a 37-foot wall (aka the “Green Monster” and THE most historic, manually operated scoreboard in baseball), while right field ends in bleacher and grandstand seats. The foul pole at the famous left field wall is only 310 feet away from home plate. The right field foul pole is 302 feet away from home, but the short wall there curves quickly to 380 feet away from home, near where the bullpens start. And for good measure, the farthest reach of center field in an uneven triangle is 420 feet away from home — a tough challenge for even the best hitters in baseball.

Looking down at Fenway from above and from north to south, the lower left resembles half of a square. The remaining boundaries are made up of four different lines with nary a right angle to be found. Five neighborhood roads form the irregular shape: Yawkey Way, Brookline Avenue, Lansdowne Street, Ipswich Street, and Van Ness Street.

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An aerial view of Fenway Park

I could wax on, but there are other ballparks to discuss. Fenway, though, has drawn attention from many writers who have taken descriptions of this 103-year-old baseball monument on a more poetic excursion. Take John Updike in 1960 in the New Yorker magazine:

“Fenway Park is a little lyrical bandbox of a ballpark. Everything is painted green and seems in curiously sharp focus like the inside of an old-fashioned Easter Egg. It was built in 1912 and rebuilt in 1934 and offers, as do most Boston artifacts, a compromise between man’s Euclidean determinations and nature’s beguiling irregularities.”

I described my feelings about the place in 2012, when Fenway turned 100. This is a column I wrote for The Republican  daily newspaper in Springfield, Mass.

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With friend Joe Lahiff after watching the Red Sox win the World Series in Game 6 of the 2013 World Series at Fenway Park

Yankee Stadium (New York City, Yankees) — Home to the dreaded Red Sox rivals, Yankee Stadium joins Fenway as perhaps the two most famous and historic stadiums in all of baseball. The venue where the Yankees play today isn’t the original that Babe Ruth built. A new one opened in 2009, a few hundred yards from the original — but the owners retained or enhanced many of the famous architectural features from the 1923 version. The best known is the facade lining the top of the inside wall.

Aside from my feelings about our rivals, I’ve always liked Yankee Stadium for three reasons. First, it sits in the heart of New York City’s densely populated borough, The Bronx. The swamps of New Jersey might have lured the Jets and Giants of football, but the Yankees are right at home at 161st Street in The Bronx. Second, it’s huge. The capacity is down a bit to 50,000 from the 56,000 that could occupy the original. But there’s a “wow” factor when you enter. The noise, the vendors hawking food and drink, the sheer quantity of people, and massive electronic scoreboards overwhelm the first-time visitor. Finally, while diminutive Fenway has only one or two decks in places, Yankee Stadium soars upward with up to four decks. I once bought a seat in the highest deck. It took my friends and me a full 20 minutes to reach the rarefied air via a series of sloping ramps.

Image result for photos of new yankee stadiumThe “new” Yankee Stadium

Oriole Park at Camden Yards (Baltimore, Orioles) — Next to Fenway and Yankee Stadium, this is my favorite baseball arena. Opened in 1992, the dazzling, green structure sparked a revival in constructing new baseball stadiums that mimic older, classic ballparks, ranging from Fenway to the long-gone Ebbets Field in Brooklyn. For most baseball fans like me, Camden Yards put an end to the boring, downright ugly circular fields that dotted the baseball landscape in the 1970s — including those in Cincinnati, Pittsburgh, and Philadelphia. All three and many others have since been demolished and replaced with warmer, friendly “retro” parks that remind us of baseball’s halcyon days.

Like Fenway, Camden Yards was designed to fit into a tight downtown district. While the outfield layout is more symmetrical than Fenway’s, right field is hemmed in by tall, refurbished brick warehouses and a small section of bleacher seats. Centerfield ends in a collection of bushes and a dark background for hitters. Three decks of grandstand seats rise behind left field.

I’ve walked the entire ballpark and I defy anyone to find a seat with a bad view. The designers did their homework. The food options are great. I first visited on a Sunday in 2000 and for $100 I bought a seat in the first row behind home plate. The ticket also included lunch at the Boog Powell (a famous Oriole first baseman) restaurant behind right field, and access to the private clubs and their tall, cool drinks in the second deck above home. I usually don’t spend that much for a ticket, but it seemed like a bargain to me.

And of course Camden Yards is downtown, and easily reachable via an above-ground light-rail system that connects to the Baltimore-Washington International Airport, about 10 miles away. I know many Albany-area Red Sox and Yankee fans who find a cheap ticket on Southwest Airlines to see their teams play in Baltimore. This often creates resentment among Oriole fans, who find themselves out-cheered by fans from visiting teams. But the experience is too good for us out-of-towners to resist.

Image result for photos of Camden yards 2016Camden Yards

Tropicana Field (St. Petersburg, Fla., Rays) — I strive for balance when I write, so I have to mention one of the most terrible fan experiences. Quite simply put, this is the worst place in America to see professional baseball. The Tampa Bay Rays play in what is easily the ugliest, architecturally speaking, venue in Major League Baseball. Watching a game there, as I have done twice, is like visiting a mausoleum. No one has ever satisfactorily answered this question for me: Why build an enclosed stadium with a non-retractable dome in Florida? A co-worker once told me it was because Tampa experiences more lightning strikes than almost anywhere else in the U.S. Perhaps, but the last time I checked, Florida called itself, “The Sunshine State.”

In addition to a tilted roof ringed with a series of catwalks inside — a feature that requires special ground rules because some fly balls and pop-ups hit those walks — the blotchy, puke-green artificial turf looks like it’s been around for 100 years and suffered from hundreds of chemical spills. Don’t adjust your TV set when you see a game being played here. The picture you see is real.

The sound is bad, the parking is tight, and the lighting can give you a headache. I pity the poor Rays. They seldom sell out the place, even on the rare occasions when they’ve made the playoffs since the field opened in 1990. Team owners have made several attempts to build a new stadium. It hasn’t happened.

The most fan-friendly feature at Tropicana is the 10,000-gallon tank in center field, where ticket-holders can pet and feed one of 30 devil-ray-like fish called cownose rays.

Image result for photos of tropicana fieldInside Tropicana Field

Rogers Centre (Toronto, Blue Jays) — Speaking of domes, don’t pass up an opportunity to see a game here. Located in downtown Toronto and originally known as The Skydome, this indoor baseball stadium has a retractable roof! I know it costs a lot more to engineer and build a roof that opens and closes, but what a concept: If the weather’s nice (Canada north of the border can be beautiful)  open the dome. Fans can bask in sunlight and warm air, while gazing at the downtown skyline that surrounds the field. This includes the majestic Space Needle-like CN Tower that pokes about 1,500 feet into the sky next door. If it rains, the Blue Jays close the roof. Rain checks are not needed here.

The stadium itself is a little ordinary, and the games are played on artificial turf. There are three decks that rise from the field on all sides, except for the outfield. There are some seats in center, but that area is ringed in by a large video scoreboard and a complex of glassed-in restaurants and hotel rooms. You can eat or just hang out in your room while watching a game. This did create some buzz a few years after the structure opened in 1989. On three occasions, young couples in one of the outfield hotel rooms forgot to close their curtains during romantic encounters.

Image result for photos of Rogers Centre 2016Rogers Centre

Wrigley Field (Chicago, Cubs) — I’ve been here twice during work trips and I have to mention it because the Cubs finally won a World Series last year. It’s the second-oldest ballpark in the country, behind Fenway.  Wrigley suffers from some of the same issues as Fenway. It can be cramped and many of the seats are uncomfortable. But it’s also located in a mostly residential neighborhood, with lots of bars.

And then there’s the layer of climbing ivy vines on the walls that enclose the outfield. Baseball fans must see this unusual ballpark feature once in their lives. There is nothing else like it. It can create some unusual plays, such as when the batted ball gets stuck in the ivy. There are special ground rules that apply in that situation. In most cases, instead of the outfielder fishing the ball out of the vegetation while the runner circles the bases, the runner is awarded a ground-rule double. What many don’t know is that behind the layer of ivy is a solid brick wall. Many an outfielder bounding after the ball has suffered a near or full concussion after bone-crushing collisions with the wall — after expecting a soft landing in the brush.

Image result for photos of wrigley field 2016Wrigley Field

The rest — In no particular order, I also visited and watched games at: Turner Field in Atlanta (which is being closed next year in a controversial move to a suburban, publicly funded new stadium), Cromerica Park in Detroit, Progressive Field in Cleveland, U.S. Cellular Field on the South Side of Chicago where the White Sox play (and soon to have a new corporate name, Guaranteed Rate Field), Citizens Bank Park in Philadelphia, PNC Park in Pittsburgh, Miller Park in Milwaukee, Target Field in Minneapolis, Globe Life Park in Arlington, Texas, and Citi Field where the Mets play in Queens, New York. I highly recommend all of them, especially the retractable dome field in Milwaukee.

They built it; I came — with a tip of the hat to Kinsella for his great line in Shoeless Joe. At least 12 other ballparks await.